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Panasonic LUMIX S1II 6K Digital Camera, Mirrorless Full Frame Camera Hybrid Shooting with 24.1MP, 5.1K 60p Open Gate Video, 15 Stops Dynamic Range, Prores RAW HQ Internal…
10 203 040 506 071 000 CFA
Rated 4.63 out of 5 based on 8 customer ratings
(8 customer reviews)
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1-2 Days
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24 hours
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Warranty 6 months
Description
- A Hybrid Workhorse with Key Step-Ups in Color, Resolution, and Workflow: Made to inspire creative expression, LUMIX S1II offers a 24.1MP Partially Stacked CMOS Sensor, 6K Open Gate, HEIF Recording, AFC 70fps, High-Frame-Rate Video, and more
- Dynamic Video and Crisp, Decisive Photos: 24.1MP sensor with expressive detail and true-to-life tones; renowned LUMIX color science with Dynamic Range Boost (a LUMIX S Series first) to deliver smoother gradations and richer, more expressive video
- Flexible Framing with 5.1K 60p Open Gate Recording: Create for any format, with partially stacked CMOS sensor for high-speed readout, open gate 6K 30p (3:2) and 5.1K 60p (3:2) recording, C4K/4K 120p video, and high res / low noise oversampled 4K video
- Higher Res Stills and Video: Exceptional detail with HEIF recording and High Resolution mode for 96MP-equivalent images, even shooting handheld; AFC burst shooting at 70 fps for fast-moving scenes like sports or wildlife, with blackout-free viewfinder
- Robust AI Recognition, IBIS, and Workflow: AI-powered Face Detection works on tilted or partially obscured faces; 8.0-stop 5-axis I.S. technology for stability; pairs with LUMIX Lab app, LUMIX Flow, Capture One and Frame.io Camera to Cloud
- Driven by world-renowned Japanese technology and a spirit of never-ending innovation, LUMIX cameras inspire creators to tell their stories beautifully and vividly.
Customer Reviews
4.6
Rated 4.6 out of 5
8 reviews
Rated 5 out of 5
7
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8 reviews for Panasonic LUMIX S1II 6K Digital Camera, Mirrorless Full Frame Camera Hybrid Shooting with 24.1MP, 5.1K 60p Open Gate Video, 15 Stops Dynamic Range, Prores RAW HQ Internal…
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Matthew Dangyou –
Been shooting on the LUMIX S1ii for past few months now and this hands down has been my favorite camera yet. I have a long history shooting on a ton of different LUMIX cameras but this one checks all the boxes. 32bit float audio, open gate 60fps, ARRI LogC3, false colors, amazing autofocus, the image stabilization is unbeatable, and the fact that there is no other camera on the market that has this many features at this price point.
Really incredible camera!
Peter N. Leix –
I’ve been waiting for a full frame panasonic camera that can shoot internal raw video since red lost that ridiculous patent and it’s finally here. With the arri clog upgrade you can confidently shoot non raw and get great results. I was a little disappointed with the U.I. because there are way too many confusing choices in fps,codec and sensor size but once you understand them and set your custom modes up for both video and photo this camera is really easy to use. I almost took off a star because the arri clog is a paid upgrade but I actually think it’s a fair compromise because gives the user the choice to pay for a feature they will use or not pay for something they won’t use. I’m curious to see what the s1h mark ii with have that this camera does not, internal nd and 120 fps internal raw are the two things I would be willing to pay extra money for. Even without those this options this camera is better any other mirrorless camera at this price range and any and every mirrorless camera that does not have internal raw video recording
Stuart John –
Everything you would want in an all purpose cinematic and still camera! Expensive but you get AlL the bells and whistles!!
Yoseb –
Always the background is brighter especially when I take a video inside the car.
I don’t have the same issue when I use my Nikon and Sony camera.
Same setting.. but with the Panasonic camera on my face is always very dark
Father of Birds –
Flip tilt Screen, amazing autofocus, 6k open gate, 60 fps full frame, cine scope mode to match anamorphic, ARRI Log and Vlog, multiple frame option monitoring, internal raw recording with CF Express type B card, option to shoot to an SSD. A 24mp sensor that you can shoot 96mp image on still subjects.
It’s everything I ever wanted and more.
I’d would say the only thing it has a bit of a blind spot is the autofocus takes a hit in 4k 120p still works just not as sticky and if you are gonna shoot beyond 4k it can be very power hungry which is understandable, shooting beyond 4k or raw I would say get a battery grip or just rig external power at that point.
I’ve shot Canon, Sony and Fuji and this camera is so much easier to use just with the way it’s laid out without sacrificing features.
For the money and even beyond you cannot beat this camera.
Andy Coleman –
Incredible! Autofocus is just as good as Sony finally! One tip about overheating… If you shoot in the highest settings for over 20 min in high heat do not use a CFexpress card. Instead use an approved SSD with the USB c plug. Also get the Panasonic dummy battery and vmount battery. If you do that you won’t have to ever worry about overheating.
I highly recommend this camera. It’s way better then the s5 ii (I have both). It’s worth the extra money in my opinion.
32 bit float audio with the new XLR 2 adapter too! What more could you ask for in a small body like this and see this low price point (cheaper then an FX3 and better).
J J –
Very impressive all around camera. If you’re looking for a run and gun and full frame hybrid, difficult to beat with either the LUMIX S 24-60 f2.8 or Sigma 28-70 F2.8, but I think the cropless e-stabilization only works with the wider end of the LUMIX lens. IBIS is exceptional, no other options I tried have been remotely close.
Pretty noticeable rolling shutter with DR boost on, but dynamic range is solid even when turned off.
S5ii cages don’t fit, grip is a little different. Liked the colors straight out of camera of the S5ii a bit more.
Definitely more prone to overheating than the S5ii in some settings, CF Express Type B seems to be the culprit. Would highly recommend recording to SD/SSD whenever possible if going above 60 fps or 5.7k.
Cody Scheff –
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By far the best camera I have personally used.
Check out the video filmed in VERY low light. Im impressed with what this camera can produce. That video took a total of 1hr to make, including Filming and Editing. Pretty quick IMO. (Not True Image representation as I have edited the video quite heavily)
The features packed into this camera are absolutley insane. So so useful for workflow, cutting down on editing time, and actually running a business. Wirelessly synced to LUMIX FLOW and Capture One, and even upload LUTs wirelessly with LUMIX LAB, it’s crazy useful.
The picture and video quality is insane. Such rich colours and really impressive dynamic range. For this reasonable price, you get up to 15 stops of Dynamic Range, Insane image stabilization, and the ability to record RAW video ..it’s kind of crazy.
Ive used this Lumix S1ii for about 3 months now and it has become the new A camera for my media company. So good. So so good. I think the only downside I can think of is the shorter battery life. But hey, bring more batteries, or use a Vmount. problem solved.
Buy it.